[R495.Ebook] PDF Ebook Deep Dish: A Novel, by Mary Kay Andrews

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“Deep Dish is one delicious read. Mary Kay Andrews has cooked up a tale y’all will savor to the last bite. ”
—Paula Deen

Battling TV chefs—a handsome Georgia redneck and a struggling young professional woman—find themselves competing for a coveted weekly time slot on national television in Mary Kay Andrews’s delightful New York Times bestseller Deep Dish. The incomparable Mary Kay offers heaping portions of humor, heart, and sass that fans of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, Emily Giffin, and the Sweet Potato Queens simply will not be able to resist, as the winner-take-all cooking competition gets intense, especially when love ups the ante.

• Sales Rank: #126377 in Books
• Published on: 2012-07-10
• Released on: 2012-07-10
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .94" w x 5.31" l, .67 pounds
• Binding: Paperback
• 416 pages

From Publishers Weekly
Andrews (Savannah Breeze; Hissy Fit) delivers a trademark romance set in her native Deep South. Gina Foxton is a 30-year-old chef with a health-conscious approach to classic Southern fare whose public access cooking show gets canceled when the show's big sponsor pulls out after finding the show's producer (and Gina's boyfriend) in bed with his wife. So news that the Cooking Channel is looking to add a new show is a welcome development. The producers are also interested in another local cooking show called Vittles, hosted by Kill It and Grill It Tate Moody. The competition between Gina and Tate ramps up when the network decides to turn their competition into a reality show. The close quarters and competition create the right atmosphere for the two chefs to fall in love, though things never get too racy. Andrews takes a long time to get the romance off the ground, but when it starts moving, it moves fast. Andrews's readership will eat this one up. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Deep Dish is one delicious read. Mary Kay Andrews has cooked up a tale y’all will savor to the last bite. ” (Paula Deen)

“Dish serves up tasty Southern adventure...sassy...fun...[Andrews is] the queen of sass, and revenge is her favorite ingredient.” (Daytona Beach News-Journal)

“Mary Kay Andrews whips up another savory Southern story.” (Tampa Tribune)

From the Back Cover

After years of hard work, Gina Foxton, chef extraordinaire andformer runner-up Miss Teen Vidalia Onion, is hosting her own show, Fresh Start, on local Georgia public television. She's also dating the producer. But when Fresh goes bad, and she catches her boyfriend in flagrante delicto with the boss's wife, Gina decides it's time to pursue bigger dreams. Namely, a gig on national television.

Gina knows she's destined to be the Cooking Channel's next superstar. But the execs also have their eyes on Tate Moody, Mr. "Kill It and Grill It" himself, host of the hunting-and-fishing cooking show Vittles. The ultimate man's man, Tate's a tasty side of beef with a large, swooning female fan base. Gina's loyal devotees consist of her free-spirit college dropout sister and her mother—who calls every single day.

But when the smoke clears there can only be one TV chef standing as Gina and Tate get ready for the cook-off of their lives.

Most helpful customer reviews

26 of 28 people found the following review helpful.
Hysteria in the Kitchen
By Amazon Customer
The above reviewer nailed the plot, so I won't go into that. Gina is someone a lot of women can relate to (bad hair day, Martian men), and Tate is the ultimate good ol' boy who really does ooze charm AND can cook well. Their bantering sparkles like champagne, but these two are totally authentic Southerners, including Gina's family. YES, her mama does call about every day, and you can still find her type in every small Georgia town. As a lagniappe, there are three (fairly simple) recipes at the end - what do you expect from a story about two people fighting to get on The Cooking Channel.
Those who love Dorothea Frank and Anne Siddons will flat-out love this one. Mary Kay Andrews just has Frank's knack for capturing the rhythm of the South and spinning it into a laugh-aloud, recognize- yourself tale. She's about as addictive as Co'cola and Moonpies:)

24 of 26 people found the following review helpful.
Not her best
By C. Geiszler
I should preface this by saying that I adore Mary Kay Andrews/ Kathy Hogan Trocheck (same author writing under two different names). Normally I find her books really entertaining, and they're among my favorites, so I pre-ordered this one.

Unfortunately, the cast of characters just left me flat in this one. The usual zippy dialogue and entertaining scenarios never materialized. Maybe if it had been from another author I didn't like so much this wouldn't have mattered, but I have such high expectations for her books that I found this one a big disappointment. It's definitely not on a par with her Savannah books or Hissy Fit. Get this one from the library, and save your pennies for the next Mary Kay!

16 of 18 people found the following review helpful.
Say it isn't so Mary Kay!
By V.L. Mason
I too am a fan of Mary Kay Andrews, I too pre-ordered Deep Dish... I couldn't even finish the book, it was that boring. I gave it to a friend (who also loves Ms. Andrews' books) and she couldn't get through it either.
At first I thought well, maybe I'm just disappointed because these are new characters but no, it was just a boring book.
Before you buy this book, read excerpts, it is NOT Ms. Andrews usual fare.

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[H753.Ebook] PDF Ebook Of Grammatology, by Jacques Derrida

PDF Ebook Of Grammatology, by Jacques Derrida

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Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy, thanks in part to Gayatri Spivak's translation, which captures the richness and complexity of the original. This corrected edition adds a new index of the critics and philosophers cited in the text and makes one of contemporary criticism's most indispensable works even more accessible and usable.

• Sales Rank: #372997 in eBooks
• Published on: 2013-10-17
• Released on: 2013-10-17
• Format: Kindle eBook

Review

The translation is a noble job, and we should be grateful to have this distinguished book in our hands... [Spivak's] situating of Derrida among his precursors―Nietzsche, Freud, Heidegger, Husserl―and contemporaries―Lacan, Foucault, and the elusive animal known as structuralism―is very lucid and extremely useful.

(Michael Wood New York Review of Books)

The tool-kit for anyone who wants to empty the 'presence' out of any text he has taken a dislike to. A handy arsenal of deconstructive tools are to be found in its pages, and the technique, once learnt, is as simple, and as destructive, as leaving a bomb in a brown paper bag outside (or inside) a pub.

(Roger Poole Notes and Queries)

There is cause for rejoicing in the translation of De la grammatologie... Just as Derrida discloses in Rousseau a writer who distrusts writing and longs for the proximity of the self to its voice, so Spivak approaches Derrida through the structure of his diction; no ideas but in the words themselves.

(Denis Donoghue New Republic)

Reading Derrida was the shock of a decentering, the critical shift into a world of the interminable movement of difference, the crisis of any closure. Of Grammatology was and remains the most tightly worked... and exemplary... demonstration of the science of this shift and crisis.

(Canto)

One of the major works in the development of contemporary criticism and philosophy.

(J. Hillis Miller, Yale University)

Language Notes
Text: English (translation)
Original Language: French

About the Author

Jacques Derrida (1930-2004) taught at the Ecole des Hautes Etudes en Sciences Sociales in Paris. Gayatri Chakravorty Spivak is Avalon Foundation Professor in the Humanities at Columbia University.

Most helpful customer reviews

47 of 55 people found the following review helpful.
juggling the (extra)ordinary
By H. Montandon
In the context of Derrida's early project - to provide a critique of the foundational human science - linguistics - Of Grammatology is an essential book. In it he develops ideas about "writing" and about the "trace", ideas which illuminate much about the modern science of linguistics. His work is an astringent when applied to other more "analytical" philosophers of language (e.g. John Searle).
Derrida's writing style may seem difficult at first, until one realizes that it embodies two other important ideas - play and undecideability. Of Grammatology is not exactly a book of philosophy, and not exactly a book on linguistics, and not exactly a literary work but one which rests uneasily among these three disciplines. By not drawing conclusions, by keeping in play many concepts at once, Derrida manages to provide provocative ideas on mental representations while at the same time instantiating these ideas in the ebb and flow of the work itself.
Because of its kalidescopic style, the book can be read for the pure enjoyment of a rambunctious entertainment, and as an important philosophical text, and as a satire, and as profoundly serious.
As the academic furor over "decontruction" dies down, Derrida's work perhaps can begun to be read for its human importance. Those who value an insistent questioning will find a champion here.

18 of 21 people found the following review helpful.
What does this mean?
By Perplexed
I was unable to figure out what this book meant. I kept reading, hoping things would get clearer, but I got the impression that the language just kept on going round in self referential circles, not actually talking about anything clear that I could grasp. It's like, just when I thought it was about to come out and say something that made sense, it seemed to end up saying something else instead. Infuriating. Can someone please sum up what Derrida was trying to say here?

32 of 41 people found the following review helpful.
Among the most important texts of the 20th century
By D. Fineman
This volume is central to Derrida's project and is, perhaps, his single most important work. In it, one finds the essentail contentions that inform his other essays. Whether one views, from the analytic tradition, these concepts as indulgent rubish or as culmination of a pre-Socratic force hidden under the ubiquitous effects of Plato and Aristotle, they are critical in understanding the disjunctions of philosophy.
While Derrida's writing may be difficult because it is both dense and playful, allusive and iconoclastic,these presentational "quirks" are not empty but tied to the basic structures of his argumentation.
Since its publication, popular characterizations of this book have attributed to it positions it does not hold. Derrida is, among his other gifts, a scholar of the first order and behind his statements are close readings of many of the philosphical greats that preceded his effort. This is not the babbling of the manic mind but a huge encounter with the dominant tradition of interpretation.
Such a gigantic target cannot be exhausted in one volume, but even if one wishes to affirm the analytic tradition, this volume should be read with the respect and care one gives a worthy enemy.

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