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Blacks, by Gwendolyn Brooks
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Here is a necessary collection of poetry for admirers of words and treasurers of literary beauty. Spanning more than 30 years, this collection of literary masterpieces by the venerable Ms. Gwendolyn Brooks, arguably Illinois' most beloved Poet Laureate and Chicago's elder black literary stateswoman, ""Blacks"" includes all of Ms. Brooks' critically acclaimed writings. Within its covers is the groundbreaking ""Annie Allen,"" which earned her the Pulitzer Prize in 1950. There is also the sweepingly beautiful and finely crafted ""A Street in Bronzeville,"" a highly anticipated and lauded poetic treasure that spoke volumes for this great poet's love of black people, Chicago's Black community, and even the community of the world. ""Blacks"" includes a special treat, ""Maud Martha,"" Brooks' only novel.
- Sales Rank: #634380 in Books
- Published on: 1994-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 1.40" w x 5.40" l, 1.45 pounds
- Binding: Paperback
- 512 pages
About the Author
Gwendolyn Brooks was the first African American to receive a Pulitzer Prize (1950). She was also the poetry consultant for the Library of Congress and the Poet Laureate of Illinois.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Brooks' great writing,
By Ann-Marie Fortune'
Still reading and enjoying Ms. Brooks' great writing,
3 of 3 people found the following review helpful.
Brooks has "a long reach, / strong speech"
By Michael J. Mazza
"Blacks" is a collection of several decades' worth of the work of Gwendolyn Brooks, who is one of the most significant figures in 20th century American poetry. At over 500 pages long, "Blacks" is a truly monumental text. Included are several books in their entirety ("Annie Allen," "In the Mecca," etc.) as well as excerpts from some later books ("Primer for Blacks," "The Near-Johannesburg Boy and Other Poems," etc.). Although most of the books represented are works of poetry, "Blacks" also contains the text of Brooks' 1953 novel "Maud Martha."
Brooks is a stylistic virtuoso, proficient with the sonnet, ballad, free verse, and other forms. She is an expert with alliteration, rhyme, and other musical effects. Her vocabulary is encyclopedic; she evokes not only African-American vernacular speech, but also the entire sweeping history of the literary tradition in English. In this collection are both short poems and longer poems.
Many of Brooks' poems deal with aspects of African-American life. She writes of anti-Black violence and other forms of racism, and reflects upon enduring figures in African-American cultural history. She also writes of family relationships and intimate personal crises.
Her novel, "Maud Martha," is a poetic chronicle of the life of a dark-skinned urban Black girl. We follow Maud Martha through her girlhood, marriage, and motherhood. "Maud Martha" is a memorable vision of an African-American woman's life, and, in my opinion, should stand beside such literary works as Harriet Jacobs' "Incidents in the Life of a Slave Girl," Zora Neale Hurston's "Their Eyes Were Watching God," and Audre Lorde's "Zami."
Of Brooks' long poems, I found the most memorable to be "In the Mecca," a tragic and haunting narrative poem that takes place in a Chicago apartment building. "In the Mecca" is a sort of urban, African-American "Odyssey" in which we encounter the various inhabitants of this world.
In her poetic tribute to Langston Hughes, Brooks writes that he has "a long reach, / strong speech." I would say the same of Brooks. Her amazing body of work deserves to reach into the 21st century and beyond.
3 of 3 people found the following review helpful.
Excellent poetry
By Glen Engel Cox
A collection of poetry by Brooks, probably the most honored African- American poet. It also includes "Maud Martha," Brooks' single novel to date. I liked the novel, but felt it was a little too much for me. I like poetry, but I think I like it in small doses, where I can relax and read and reread it without concentrating on how much time it is taking me to do so. Her fiction is like poetry, in the sense that it had as much to do with the vision of things as it did with the characterization or the plot. This is my failing as a reader: I've never cared that much for description, and the longer it continues, the more likely I am to tune out.
But the short poems here, especially from her earlier period, I like a lot. The subjects are strong and powerful, the economy and purpose of the prose admirable. One of my favorites was a poem called "Queen of the Blues," which contrasted the stage persona of a Billie Holliday-like singer with the treatment she receives as an African-American woman. Queen or no queen, she still has the blues. Or "The Murder," about a young boy who sits his toddler brother on fire then doesn't understand when the little brother isn't around afterwards. I did not care as much for her later poems, which were much more experimental in form and harder to follow in content.
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