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Jazz, by Paul Tanner, David Megill, Maurice Gerow
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The eleventh edition of this trusted text takes students on an extraordinary musical journey through the changing styles and the fascinating history of jazz. With a strong emphasis on listening and an outstanding photo program, Jazz offers an insider's view of the most important music, artists, clubs, and precursors in jazz history. Personal accounts by major players ("Witness to Jazz") take students inside sessions, giving them a firsthand view of the lively context surrounding the growth of this uniquely American art form.
- Sales Rank: #732765 in Books
- Published on: 2008-02-08
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .60" w x 7.90" l, 1.53 pounds
- Binding: Paperback
- 400 pages
Most helpful customer reviews
8 of 8 people found the following review helpful.
Words from those who REALLY know
By B. Mann
Who would have the "chops" to write the definitive textbook on Jazz? How about a musician/composer/arranger who played with just about every Jazz great, with some notables being Glenn Miller and Tex Beneke? How about a man who has arranged, composed, and performed with everyone from A (Arturo Toscanini) to Z (Zubin Mehta)? Want more chops? How about the guy who invented (and played) a musical instrument (the electro-theremin or "Tannerin") that creates those wonderful weird glides you hear on the Beach Boys' "Good Vibrations" or the them song to My Favorite Martian? Experience not enough? How about academics: an author with both Masters and Doctorate degrees who became a Distinguished Professor at UCLA teaching about Jazz for over 20 years? The person with that experience, who definitely has the chops, is Paul Tanner, the lead author of this book.
I had the good fortune to be one of Dr. Tanner's students eons ago at UCLA. Beyond his ability to entertain was his ability to teach the principles, theory, and practice of Jazz, especially to non-musically inclined students. In his 90's today, according to IMDB, he still lectures writes.
Yes, Dr. Tanner and colleagues have the chops, and you can count on this book being the most definitive of its kind. The book is a textbook, to be sure -- meant to be used in conjunction with study, and priced as textbooks are priced, which ain't cheap. But because the online media lets you hear the topics not just read about them, I would recommend it for anyone with disposable income who is interested in the history of Jazz, understanding the different flavors of Jazz, and appreciating the musical tricks of the trade.
NOTE: While not necessary, I would recommend that you have a little knowledge of music to best enjoy the book. You don't need to be a music major, and you do NOT have to play an instrument or know how to read musical notation, but you will get a bit more out of the book if you are familiar with terms like 4/4, 2/4 and chord progressions.
1 of 1 people found the following review helpful.
Great information, but organization and presentation are lacking
By M. Schafer
I needed this book for an upper division Jazz History class. I am a jazz musician and thankfully have taken a similar class previously, so much of the information is review for me, but I feel that if this book is being used by non-music students, they will often be confused by the readings. The authors often allude to vocabulary (song styles, eras, terminology of instruments) which is not well-defined in the text and hasn't been presented previously in the readings; so if they are unfamiliar with music or jazz already, they may not understand the topic of focus completely because they require previous knowledge of context which simply hasn't been adequately provided.
I also feel that because this is meant to be an academic tome, the writing style and organization is too lax. Switching back and forth with stories from a current timeline, colloquially writing about historical facts and character stories, and conversational bits like "he may not have been /that/ (italics) important, but..." detract from the author's authority on the history of jazz. It is my belief that historical anthologies (especially academic ones) should lend as much research-based, well-worded, and authoritative information as possible, and while I understand that jazz and music in general are very subjective topics, with a lot of anecdotal occurrences contributing their creation, this book ends up sounding like something your very knowledgeable and respected musician grandfather tells you through afternoon conversations. You know that most of what he is telling you is probably true, and it's certainly interesting, but you're just not completely convinced of the validity of /everything/ you've been told. And that's a bit of a deal-breaker for me, if this is being used to inform musicians and non-musicians about the beautiful idiom of jazz.
1 of 1 people found the following review helpful.
kindle version is a joke.
By Amazon Customer
Accessing this book on anything but my tablet is like pulling teeth and i regret not buying the paper version.
Also it does not format like a kindle version, it is more like a pdf you can view on some kindle apps.
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